The Road envisions a world where some sort of cataclysmic event has destroyed virtually all life on earth. We never know exactly what it was, and for the purposes of this film, it doesn't really matter. The Road is about the will to survive, and what drives people to cling to life in the midst of hopelessness. A man and his son spend most of the film traveling south to the sea, where they hope that life will be better for them than the cold desolation that greets their every waking moment. They also trek across a world without sunlight, as the ash filled sky blocks its rays, and coats the terrain. Viggo Mortensen, and relative newcomer Kodi Smit-McPhee play the man and son respectively, and their fine performances help make this film as riveting as it is. Besides the endless search for food, the pair must also avoid a roving band of cannibals; in a world where nothing grows, people are the ultimate delicacy. The man tells his frightened son that they are one of "good" guys, and he assures him that they will never resort to eating their fellow humans. He also instructs him as to the proper way to kill himself with a pistol, for the reality of their situation is never ending. I found The Road extremely interesting, and yes despite the depressing subject matter, quite entertaining. The film is based on a Cormac McCarthy novel, and also boasts an excellent script which helps create an ever present feeling of dramatic tension. Charlize Theron appears as the man's wife in an extended cameo, and Guy Pearce and a barely recognizable Robert Duvall appear in brief ones, and they all make their screen time count. One of the best films of the year, don't miss it.
Rating - 4 Stars
I have to admit that I enjoyed the first film in this series, in spite of the fact that I'm about 40 years outside of it's target demographic. Unfortunately this one has little of what made the first one so enjoyable. I felt like I was watching an episode of Gossip Girls, which incidentally I've never actually seen, although I can imagine it's like this film without all the vampires and werewolves. By the way, if you have a film with the aforementioned supernatural creatures you're supposed to have more than a token amount of action, or at least enough to counteract some of the whiny teenage angst on display. Kristen Stewart, Robert Pattinson and Taylor Lautner reprise their roles from the first film, and they all do a credible job; the problem is the script, not them. The film picks up towards the end with the appearance of Michael Sheen as Aro, apparently the Grand High Exalted Mystic Ruler of the vampires, but it's just not enough. This is one of those films that's review proof, and if you're a teenage girl it's likely that nothing can keep you away. Anyone else should avoid this like a vampire does a sunny day.
Rating - 1 1/2 Stars
The 60's, in my humble opinion, was the golden age of rock music, and I firmly believe that this era will never be topped in that regard. The best of it came from the British Isles, so it's quite ironic that the nation's official broadcasting outlet, the BBC, refused to play it. Numerous offshore "pirate" radio stations were created to fill this cavernous void, which were viewed as a subversive annoyance by the British government. The "Radio Rock" of Pirate Radio is made up of a collection of characters straight out of "60's" central casting, including Philip Seymour Hoffman as the ship's star DJ. This is not a "star" vehicle for Mr. Hoffman, as the film is definitely an ensemble piece, and everyone involved helps make this quite an excellent and enjoyable film. Relative newcomer Tom Sturridge plays Carl, who's shipped off to the boat by his mother in order to get his life back on track after being expelled from school. Considering all the drugs, sex and debauchery going on this must be one hip mom (Emma Thompson in a cameo). Her ex-husband Kenneth Branagh, plays the government minister in charge of closing the stations down, and he's so evil and anti-fun you can almost see him twirling his moustache as he hatches his plans. His top aide is named Mr. Twatt, and yes, it's a cheap joke, and quite a good one. January Jones also has a small role as the wife and girlfriend of two different DJs. Her brief storyline was actually quite pointless and annoying, but not enough to bring down a fine film. Also, one minor script criticism: the phrase "think outside the box" was used, clearly about 30 years a head of its time, and it briefly took me "out" of the film. This should have been caught. In spite of these two minor points I think that this is one fine film, with of course, a superior soundtrack. It also has the best opening and closing credits I've seen in quite a while and I have no doubt that a splendid time is guaranteed for all.
Rating - 3 1/2 Stars
Supposedly the Mayans predicted a catastrophe of global proportions in the year 2012; no, I'm not talking about the election of Sarah Palin as President of the United States. It's almost as bad though, namely, the end of the world, and most of the people in it. I'm no scientist, but here's a brief explanation: solar flares are heating up the earth's core, causing earthquakes and tsunamis, with the requisite death and destruction. In order to save the world's elite, and, anyone with a billion euros to spare, a series of huge floating ships are built to protect them until the earth is inhabitable once again. By the way, the arks are being built in China, no great surprise there. John Cusack stars as Jackson Curtis, a failed novelist reduced to driving a limo for an extremely wealthy Russian businessman who has already booked his passage on one of the ships. Curtis learns of the ships, and the whole end of the world thing on a camping trip, where he meets conspiracy theorist Charlie Frost, played by Woody Harrelson, who is by the way, the best thing in the film. Most of the action consists of Jackson trying to get himself, and his ex-wife and kids to one of the ships. This is not a film that one goes to see for masterful acting and a deep meaningful story; you go to watch stuff get destroyed, and this film has plenty of that, including the Washington Monument and the State of California. The special effects are first rate, and there's plenty of them. The characters are all one dimensional, and they all represent the usual archetypes that you would expect to see in a film of this genre. Danny Glover is the stoic President, and Oliver Platt is his cold-hearted Chief of Staff. Chiwetel Ejiofor plays the compassionate scientist who initially brings the crisis to the President's attention, and he rises above the cliched role to deliver a fine performance. The film was directed by Roland Emmerich, who also helmed Independence Day and The Day After Tomorrow, so I guess this one completes the trilogy. It's a fun film nonetheless, and it provides all the thrills and entertainment that you would expect from it. I'm a little surprised though to see it open in the so-called "serious" movie season, as it really fits in more as a summer blockbuster film, but if you see it, I think you'll enjoy it.
Rating - 3 Stars
Although not a "feel good" film in the traditional sense, Precious still has moments that remind us that people have a great capacity to endure and survive. Newcomer Gabourey Sidibe has the title role, and her story is just too horrible to imagine. Her mother, played by Mo'Nique, is both physically and emotionally abusive to Precious, as she makes Joan Crawford seem like mom of the year by comparison. As if that's not enough, her dad rapes her whenever he feels like it, and is the father of her first child, with one on the way. It's no surprise then to learn that Precious has little self-esteem. Whenever her circumstances become just too much to take, she escapes to her fantasies, where she's both beautiful and adored. She also uses food as a way to numb her pain, all the way up to over 300 pounds of numb. Out of duty and compassion her principal refers her to an alternative school, where she eventually makes some friends, learns to read and write, and most importantly, gains the self confidence to make some positive changes in her life.
The film takes place in 1987 in Harlem, when the neighborhood was decidedly less pretty than it is in today's semi-gentrified state. Setting the film in that time period only helps drive home the seemingly hopelessness of Precious' life. This film, although depressing at times, tells its story quite well. This is thanks to a fine script, and, some truly riveting performances. Gabourey Sidibe has been getting a lot of Oscar buzz for her fine acting job, deservedly so, but it is Mo'Nique as her mother, who really steals the show. She plays a beast of a woman, and I only hope that she didn't have to base it on anyone in her own life. This is truly a fine film with some stellar performances: don't miss it.
Rating - 3 1/2 Stars
How many teenage girls could refuse the advances of a handsome, wealthy, and ultra-sophisticated older man? Actually, quite a few I bet, but not Jenny, who longs for much more than what her provincial and overly structured life is giving her. Jenny, played by newcomer Carey Mulligan, is wonderful as the precocious teen who falls for David, an equally good Peter Sarsgaard. Carey has her heart set on studying English at Oxford until she falls under his spell, which by the way makes her money conscious dad quite happy. Soon after meeting David, Jenny is propelled into a world of nightclubs and fine restaurants, and it's no surprise that her studies begin to suffer because of it. David is so beguiling that he even charms mom and dad, as they utter nary a complaint. Hard to imagine this really happening, but David uses his charm, and some tall tales to assuage Jenny's parents. Alfred Molina plays Jenny's father, and he does a fantastic job of portraying this well meaning, but clueless character: adding some laughs to what is essentially a serious story. Along the way Jenny gets the education that the title promises, and the audience gets one as well. This is a must see.
Rating - 3 1/2 Stars
Allegedly based on some truth, The Men Who Stare at Goats is the story of the army's attempt to create a force that uses psychological and paranormal powers, instead of guns and stuff. The unit is commanded by Colonel Django (Jeff Bridges), and if you can imagine an army officer made up of equal parts Timothy Leary and Jerry Garcia then you know what he's all about. The story is told largely in flashback years after the unit has been disbanded, with reporter Bob Wilton (EwanMcGregor), interviewing Lyn Cassady (George Clooney), who was a Sargent in the old unit. The two are traveling in Iraq, Bob looking for his "big" story, and Lyn on a mission. Kevin Spacey shows up a little later, and has a significant effect on the unit. There were a lot of laughs in the film, with most of the humor being of the very dry variety. George Clooney, as a true believer in all the new age philosophy was particularly good, and quite funny. The film also works well as an anti-war statement, with greedy contractors getting their share of the scathing. See it with your peace sign tee-shirt.
Rating - 3 Stars
The Blaxploitation genre has always been ripe for parody, and Black Dynamite shows no mercy in successfully skewering this popular style of film from the 70's. Star and co-writer Michael Jai White would have made a perfect leading man of an actual film of this type, if he only he'd been born about 30 years earlier than he was. As it is, he plays it straight, and lets the cheesy, over-the-top, and quite funny script provide the laughs. The film does it right by placing the action in the 70's, as this is no fish out of water tale. Some of the films that have spoofed the genre have updated the action to the current day, with less than optimum effect. The original films were funny enough to begin with, no need to take this one out of the era to which it belongs. Here, big fat sideburns and polyester shirts with huge collars are the norm. The plot is strictly Blaxploitation 101, "whitey", or "the man", whichever you prefer, has hatched a plot to sell tainted malt liquor in the ghetto, and it's up to Black Dynamite to foil the plans. BD has all of the elements you'd expect, kung fu action with high decibel sound effects, awkward musical introductions, jive talkin' supporting players, and yes, even Richard Nixon. The audience I saw it with enjoyed it as much as I did, and whether you've seen many of the originals or like myself have not, you should definitely get a lot of fun out of this one. See it my man.
Rating - 3 Stars
Most people know of Amelia Earhart due to the great mystery of her disappearance; since no remains were ever found, it's as if she vanished into thin air. Her story is actually a lot more interesting than the mystery of her death, as this film ably demonstrates. Hilary Swank is Amelia, and she's more than just an "awe shucks" American hero. She was actually quite the liberated lady, and, a believer in open marriage, to the consternation of promoter, publisher, and husband George Putnam. Putnam, as played by Richard Gere makes her a national hero by arranging for her to be the first woman to cross the Atlantic in a plane. The fact that she was merely a passenger and did no flying didn't prevent her from becoming a national hero, and to be referred to as "Lady Lindy." She quickly made the leap to pilot, and in 1932 did fly solo across the Atlantic, becoming even more of a legend in the process. As the film demonstrates, Amelia would be very much at home in today's celebrity driven society. She doesn't hesitate to use her fame to endorse a variety of products, and obviously had no shame in "cashing in." Amelia does a fine job in adding substance to the story of this American hero, and Ms. Swank and Mr. Gere are quite believable in their roles. The film is quite entertaining, and at times even soars: see it, but not in flight of course.Rating - 3 Stars
Law Abiding Citizen is a film that for me at least, can only be described as a guilty pleasure. While totally preposterous and manipulative, it still works well within the context of the world it creates. Gerard Butler is Clyde Shelton, who witnesses the murder of his wife and daughter at the film's outset. Jamie Foxx is Nick Rice, a hotshot ADA, who makes a deal with one of the two home invaders responsible, in order to guarantee a conviction and a death sentence for at least one of them. This really annoys Clyde, to say the least, especially since Nick makes the deal with the more guilty of the two, who stands to only get a few years in jail. Nick feels it's the best he can do given the evidence, but, he lets us know early on how concerned he is in preserving his 96% conviction rate. The film quickly jumps ten years ahead to the scheduled execution of the unlucky perpetrator, which is when Clyde's revenge plans move into high gear. The film tries to make a serious commentary on our nation's justice system, which gets lost somewhat in the midst of stuff blowing up "real good". Clyde quickly loses most of the sympathy he had after his "torture-porn" dispatch of his family's killer. He loses the rest when he goes after everyone else. This film works quite well as a cat-mouse type thriller, and you'll spend much of it wondering how Clyde is effectuating his plans, since he's in prison for a good portion of the film. The two leads both do a solid job in roles that are not tremendously demanding, and make for an entertaining "popcorn" flick.
Rating - 3 Stars
This latest film from the Coen brothers is a black comedy re-telling of the biblical story of Job. Not the usual Hollywood high concept, but then again, the Coen brothers are not your usual producer/director team. The action takes place in Minnesota circa 1967, in a virtually all Jewish, highly insular community. Michael Stuhlbarg is Larry Gopnik, a college professor, who, early on, finds out that his wife wants a divorce, and, is planning to marry a good friend of theirs. This is only the first of Larry's many "trials" which include, a threatened lawsuit, financial stress, obnoxious kids, and a psycho neighbor. There's more, but why spoil the fun. Larry takes it all, and it's obvious that life has destroyed whatever fighting spirit he may have once had. I found myself wishing a number of times that he would stand up for himself, just once. Not that he doesn't try to get help, but the local Rabbis only offer him meaningless parables, at best. In a way, this film is the most violent of all the Coen brothers endeavors, although in this one, the damage is all emotional. The mostly unknown cast all do an excellent job, and in spite of the depressing nature of story, "black" is nicely balanced with comedy. This is a fine addition to the Coen brothers body of work.
Rating - 3 1/2 Stars
The name Chanel has long been synonymous with simple elegance; this film tells, who she is and how she came to be, as comic origins stories like to put it. We first see little Gabrielle, or Coco, as she's being dropped off at an orphanage by her widowed father. Dad never even looks back at her, and she seems to realize at that moment that she'll never be able to truly rely on any man for emotional support. The film quickly moves forward, and before you can say Amelie, Coco has turned into Audrey Tautou. She's now singing in a cabaret at night, while working as a seamstress by day. She's introduced into upper crust society by Balsan, her wealthy lover at whose estate she stays. Here, she begins designing simple hats as a response to what she sees as the overly ostentatious and burdensome fashion of the society ladies she mingles with, but, is never a part of. Coco is a well told story of the subject and of the times. It portrays a determined and independent woman of the early twentieth century, who succeeded on her own; when she could have enjoyed a life of leisure and luxury if she so chose. See it, to learn about the woman behind the perfume.
Rating - 3 Stars
Couples Retreat is a high concept Vince Vaughn vehicle that should satisfy his numerous fans. He's teamed with regular partner Jon Favreau, and if you've seen their other films together you know exactly what to expect: dialogue that's both sarcastic, neurotic, and generally amusing. The premise is thus: four couples travel to a tropical island paradise for mandatory couples counseling, and none of the other fun stuff that you would normally expect to do on such a trip. Jason Bateman is the one who organizes the adventure, and he plays the overly sincere, earnest character that he's perfected in his films of late. He, along with his wife, played by Kristen Bell are really the only ones who take the whole thing seriously, as the others just want to enjoy their tropical paradise. By the way, Kristen Bell's last big hit was Forgetting Sarah Marshall, and like this film she spent much of it in a bikini; if it's a coincidence, well, it's happy one. In short, the film is basically a forgettable diversion that I did find amusing. If you enjoy the Vince Vaughn persona, then see it.
Rating - 3 Stars (Light)
Michael Peterson is, as this film lets us know, the most famous prisoner in the United Kingdom. His fame is largely due to his propensity for unprovoked violent attacks on anyone who annoys him, or, doesn't for that matter. Since he has spent most of his adult life incarcerated, most of his violent outbursts are directed against prison guards, seemingly, for the sheer fun of it. During a brief period of freedom between prison stretches, he earns money in some underground fights: using as his professional name, Charles Bronson. This film is packed with excellent performances across the board; unfortunately though, it's not enough. The narrative is choppy and uneven, and uses the pointless and annoying device of having the lead character address a live audience in order to "explain things". This isn't rocket science, and the conceit is both unnecessary and gimmicky. The film doesn't spend any time trying to explain his violent urges, although Bronson does claim on more than one occasion that he wants to be famous. We know it's not prison that did it to him since we see him pre-prison, pummeling a classmate at school. This guy is angry and after 90 minutes we never find out why. He eventually begins to explore his artistic side, and will soon become accomplished in this field: in addition to becoming a published writer. These facts are barely touched on in the film, and I have no idea why. A number of reviews have said that Bronson is some sort of modern A Clockwork Orange. A greater disservice to that outstanding film could not have been done. If the subject matter of this film interests you, you'd be much better off watching the endless stream of cable shows on prison life. Everyone I've ever seen has been more entertaining and illuminating than this one.
Rating - 1 Star
Drew Barrymore has been a successful and appealing actress for almost thirty years. Now, with Whip It, her directorial debut, she has shown that her skills extend to behind the camera as well. Ellen Page is Bliss Cavendar, stuck in a small Texas town, and pushed into local beauty pageants by her overbearing and determined mom (an excellent Marcia Gay Harden). Bliss wants something more, and, on an outing to nearby Austin she finds it; yes, you guessed it, Roller Derby. Actually the slight, fragile Ms. Page is the last person you would ever associate with this intensely physical sport, but, due to her skill in presenting her character, it all works quite well. This film is all about following your dreams and being your own person, and although these themes are common in many films, Whip It makes it seem as fresh as right now. This is all due to an engaging script, along with fine direction and acting. I might also add that it's great to see a film where women are the main characters, and where those characters are so appealing. Also, Jimmy Fallon as the arena's announcer provides some excellent comic relief to what is basically a serious film. Could this film predicate a Roller Derby revival? Of course not, but give this fine film a fling.
Rating - 3 Stars
Zombieland supposes a world where Mad Cow disease has mutated to the point where most of humanity has been turned into a bunch of rotting, incoherent, flesh craving creatures. If this sounds like fun, well, it is. Woody Harrelson plays a good ole' boy zombie killer, who hooks up with Jessie Eisenberg, essentially playing his same character from Adventureland, except for the zombie killer part. He packs a shotgun, and a whole series of rules that he follows in order to stay alive. One rule that's especially prescient: keep those extra pounds off, you'll need to run fast. These two mismatched killers eventually meet up with Abigail Breslin and Emma Stone, two con artists, and they decide to travel together to LA to an amusement park that they've heard is a zombie free zone. Someone here must like like the "Vacation" movies. Woody's character is also looking for what could be the last box of Twinkies, and Jesse is just looking for some familial attachment, which he never felt from his real family. Along the way there's plenty of killing and destruction: and one amazing cameo. Zombieland, although not quite as good as Shaun of the Dead, still makes for a fine spoof, with a few genuine thrills thrown in.
Rating - 3 Stars
Bright Star, the new film directed by Jane Campion, details the brief romance between poet John Keats, and girl next door, Fanny Brawne. In spite of some good acting by all of the principals, including Abbie Cornish as Fanny and Ben Whishaw as Keats, the film simply moves along at a snails pace. Initially, Fanny is unimpressed by Keats' poetic efforts, but they eventually grow close, and Fanny asks him to teach her about poetry and literature. Things get a little hotter, but since the film is rated PG, and Mr. Keats is not well for much of the film, much of their romantic activity consists of flowery verses and long looks. Okay, I'm not much of a poetry fan, and maybe that has tinged my critique to some degree, but frankly, this film just does not engage one enough to be truly worthwhile. This film is basically just a prestige production; without enough entertainment value.
Rating - 1 1/2 Stars
In a world where many people use Facebook, email and Twitter to relate to their fellow earth inhabitants, it's not so much of a leap to assume that one day we would have little use for our own physical bodies. In Surrogates, such a world exists, where people go about their daily lives via their android selves, which they control safely from home via an electronic hook-up. These remote stations resemble high-tech lounging chairs, that people rarely have to move from. The android selves are perfect versions of their masters, or, look nothing like them at all; in fact, they can even look like Bruce Willis with blond hair. Surrogates is an example of a great idea, with mediocre execution. Instead of seriously addressing issues that such a technology would naturally raise, the film quickly turns into nothing more than a routine police procedural with cardboard characters; there are some twists, but nothing all that surprising or exciting. Too bad, since this area has a lot of potential for some interesting film making.
Rating - 2 Stars
This is the type of movie that I would have never expected to see, but, at the insistence of my better half, I played the "good husband" and went along for the ride. Surprisingly enough, I totally enjoyed this film. For those who don't already know, the film chronicles the inner workings of Vogue magazine, that iconic fashion bible, and the making of it's September, or showcase, issue. Coming from someone whose interest and knowledge of fashion begins with Old, and ends with Navy, I was as surprised as anyone that what I thought would be an endurance test, turned out to be quite an enjoyable hour and a half. Anna Wintour, Vogue's iconic editor is ostensibly the star of the film, but it's Grace Coddington, Vogue's creative director, who's actually the most engrossing character profiled. Grace has an interesting back story, which I won't give away: which makes her quite a sympathetic character. Not that Ms. Wintour is shown in a bad light, on the contrary, she is shown as being fair-minded, and willing to delegate, but make no mistake about it: she always gets her way. The conflict between between Anna and Grace is a major story line throughout, and makes for some excellent drama. If you love fashion this film is a must see. If not, well you just might be pleasantly surprised.
Rating - 3 Stars
The Informant is a lighthearted take on the price fixing scandal that ended up sending a number Archer Daniels Midland (ADM) executives to prison in the 90's. Matt Damon is Mark Whitacre, an ADM executive, who is seemingly outraged by ADM's practices, and as a result, goes to the FBI, where he becomes the "informant" of the title. As the story unfolds, it becomes obvious that Whitacre is a lot more complex than the wide eyed innocent that he seems to be. The film is quite funny in parts, especially when Whitacre muses to himself on various mundane matters or when he makes official announcements into the wire that he's wearing. It also drags at times too, due to an uneven script. The film, directed by Steven Soderbergh, also employs some unique music, at times almost carnival in nature; it works well within the context of the film, and adds much to it. Maybe this film would have been better if they decided to treat a serious subject seriously, instead of going the comic route. As it is, the film is only a partial success.
Rating - 2 1/2 Stars
Gamer tries to send a message about a society that increasingly devalues face to face interaction in favor of electronic and anonymous forms of communication. Okay, the message has been sent; now if only the messenger had been better. Gerard Butler, who shot to fame in 300, again plays a sweaty super warrior, although this time he's being controlled via a brain implant by a teenage gamer. He's in prison for life, unless of course he manages to survive 30 military style battles against other lifers, in which case he'll be paroled. We all know how these films work, he'll never really be paroled because it's not in the best interests of some evil behind the scenes power: in this film, that guy is played by Michael C. Hall: in full "ham" mode. He's the guy who invented this new game technology and he's as rich as he is bad. Kyra Sedgwick plays a smarmy talk show host, and she's basically just collecting a salary. The film has a couple of minor high points; the action scenes aren't bad, and Michael C. Hall is fun to watch, but, if I were you, I'd just stick with my Wii.
Rating - 2 Stars
Loosely based on the mid-teen years of actor George Hamilton, My One and Only tells the story of his strong willed mother (Renee Zellweger), after she walks out on her band leader husband (Kevin Bacon). You really can't blame her, since she catches him at home with another woman, and after yanking her kids immediately out of school, heads off on a road trip in search of a new husband. She's sweet, and means well, but mom of the year she's not. Along the way she reconnects with some old relationships, and regardless of what happens, always emerges the stronger for it. Ms. Zellweger, who with her blond wig looks something like Marilyn Monroe, is somewhat of an enigma; at the same time she's looking for a husband to keep her, she also rejects all financial support from her ex-husband. Considering that she has kids in tow, maybe not the smartest move, but she's proud and independent, and feels that she's doing the best for herself and her two sons. This film was both funny and poignant, and quite enjoyable from start to finish. The performances from Ms. Zellweger, Logan Lerman (George), and Mark Rendall as her older son Robbie were all excellent. Mr. Bacon also does his usual fine job in his small caddish role, and despite his dalliances, and lacking as a father, always manages to engender sympathy for himself. Who would ever think that that the early life of a lightweight actor would make such an interesting and enjoyable film? See it, and be as surprised as I was.
Rating - 3 1/2 Stars
Beyond a Reasonable Doubt is a remake of a 1956 film noir; it's a film I haven't seen, although I'm sure that it's better than this incarnation. Not that this film doesn't have some entertainment value, although you'll have to put your suspension of disbelief skills in fifth gear in order to really enjoy it. Michael Douglas, in an extended cameo, plays a corrupt Louisiana DA who seems to be planting DNA evidence to gain convictions. His goal is the Governor's mansion, and based on his record as DA, he's the favorite. Jesse Metcalfe plays an investigative reporter for a local TV station who suspects what he's doing, and he sets out to prove it by framing himself for murder. Yes, you read that right, anything for a story. Amber Tamblyn plays a young assistant DA who's involved with Mr. Metcalfe's character, and since love is obviously more important to her than job security, she eventually decides to help him. Mr. Douglas does his usual professional job in his small role, and actually isn't onscreen enough to make a real impact. The rest of of the actors do a serviceable job, and honestly, I did "get into" the story as it moved on. In any event it's no surprise that this film was released in the "dumping ground" that usually follows close after Labor Day.
Rating - 2 Stars
In The Goods, Jeremy Piven leads a group of gonzo mercenary car salesmen who traipse around the country rescuing floundering dealerships. His current stop is in the small town of Temecula, where he hopes to save Ben Selleck's (James Brolin) dealership from bankruptcy with a three day July 4th sales blow-out. As Don Ready, he's all confidence and swagger as he doesn't hesitate to use any method he can think of to sell cars; this includes, but is not limited to, lying about Ben having cancer in order to generate sympathy. He's assisted by his most able, as well as morally compromised team, consisting of Ving Rhames, David Koechner and Kathryn Hahn. This film is as funny as it is politically incorrect; racial and ethnic epithets are liberally sprinkled throughout, and Ms. Hahn even makes a play for Ben's ten year old son. Okay, the ten year old (Rob Riggle) has a pituitary problem so he's actually a ten year old in the body of a grown man so I guess that makes it just fine; it's certainly hysterical though to watch her put the moves on this man-child who's more interested in his action figures than in actually getting some. Mr. Piven and the cast all do well with some solid material, and Will Ferrell, who produced also has a great cameo.
Rating - 3 Stars
Mike Judge, the writer/director of the cult classic Office Space has created another highly entertaining workplace comedy in Extract. Jason Bateman stars as Joel, the owner of a food flavoring factory who has the unenviable task of dealing with some of the most unmotivated and dullest workers imaginable. If they're truly representative of the American labor force then it's no wonder that this country produces very little anymore. To add to his troubles, his best worker lost one of his testicles in an industrial accident, and as a result has a big lawsuit looming over his head. His home life is not much better. His wife Suzie ( a perfect Kristen Wiig) is bored and has seemingly no interest in having sex with him, and he's constantly being annoyed by his clinging neighbor (David Koechner). He wants to have an an affair, but in order to assuage his guilt he arranges for a gigolo to approach Suzie: if she takes the bait he'll make his move on Cindy (Mila Kunis), a hot temp at the factory, who also steals and cons whenever she gets the chance.
Although not quite as outright hilarious as Office Space, this film is quite funny. Jason Bateman has made a nice career for himself playing "dry", and in Extract, he's in excellent form as the put upon good guy. Ben Affleck also does well in a supporting role as Joel's best friend Dean, a stoner and ad hoc pimp. Dustin Milligan is hysterical as Brad the gigolo, and he's as thick as he is handsome, and almost steals the film. In spite of all the cynicism on display, the film still has an optimism about it that belies the actions of the individual characters: yes, this is a feel-good film in spite of itself.
Rating - 3 Stars
Many of us may know someone who follows his favorite sports team with unbridled intensity. Now imagine someone who does just that, without having any other interests, or for that matter much of a life, and you have Paul Aufiero, the big fan of Big Fan. Paul, played by Patton Oswalt, is in his mid-thirties, works at a dead-end job, and still lives at home with his mom. His sole interest in life is rooting for the N.Y. Giants: as pathetically as possible. During home games he goes to the stadium to tailgate, and since he doesn't have tickets he watches the games on a TV in the freezing cold outside. He's joined in this pursuit by his best, and likely only buddy Sal, played by indie stalwart Kevin Corrigan. He also calls in to a sports radio show to diss the hated Philadelphia Eagles from a script he prepares during the day. As sad as all this sounds, Paul really seems to like his life and never appears to yearn for anything more. When he and Sal happen to follow his favorite player to a strip club, Paul's life changes real fast. The script, by Robert Siegel, who also wrote The Wrestler, captures all of the pathos that a character like this engenders. It's also quite funny as well, and is one of the more successful black comedies I've seen in a while. This film is also quite optimistic, and celebratory of Paul, in spite of the outwardly sad nature of his existence. Big Fan, which was also directed by Mr. Siegel, is currently playing in very limited release. As we approach another season of endless Sundays spent on the couch I only hope that more than a few get to see this gem.
Rating - 3 1/2 Stars
The "Troubles" of Northern Ireland have always provided a rich vein of dramatic material for film: unfortunate for the people who have lived through it; while providing some enjoyable, albeit guilty pleasures for the cineaste. 50 Dead Men Walking is based on the true story of Martin McGartland, a petty criminal living in Belfast who's arrested and eventually convinced to turn IRA informer: via the lures of some spending money and a car, and the promise not to be thrown in jail for selling hot merchandise. Along the way he acquires a conscience, as he begins to believe in his mission, and is comforted by the fact that his actions are saving lives. Although the film portrays the IRA soldiers as terrorists, the British don't come off as too much better: their soldiers are shown to be thuggish, and their civilian commanders as duplicitous and amoral. Ben Kingsley plays Fergus, Martin's British handler, and he does his usual excellent job in portraying the cynical cop who gradually begins to actually care about his young charge. Jim Sturgess, late of Across the Universe plays Martin, and he's quite convincing as the young criminal turned informer. The film is told in gritty unemotional style and one is made to feel sorry for all involved: the IRA soldiers, most of whom feel that their choice of "profession" is their only option, and the British, who are obviously unlucky enough to be posted to the most dangerous spot in the now non-existent empire. The film also has it's share of explicit violence, including one particularly graphic torture scene: and not to have these would only be dishonest in a film of this type. There has been a recent rapprochement and relative peace between the two sides, but this film shows how bad and depressing it was, only too recently. One final note: the film is in English of course, but to compensate for the heavy Irish accents, subtitles are provided. A wonderful addition and I only wish they had done the same for Trainspotting.
Rating - 3 Stars
The latest from Quentin Tarantino is equal parts WWII action film and fantasy: and totally riveting till the end. The Basterds are a group of Jewish soldiers recruited to work undercover in German occupied territory under the leadership of Lt. Aldo Raine, played by Brad Pitt. Lt. Raine, a good ole boy from Tennessee who hates the Nazis as much as the soldiers under him: and it's likely that an unexplained scar on his neck has a lot to do with that. The Basterds show no mercy to any Nazi, as the part Apache Lt. Raine demands one hundred scalps from every member of his platoon. One of the soldiers, played by director Eli Roth, likes to dispatch Nazis with a baseball bat, evoking the name of Ted Williams in the process. As you've probably surmised by now, the violence comes often, with nothing left to the imagination; yes, these guys really do earn their name. The Basterds eventually plot to do away with the leadership of the Third Reich at a movie premiere, and unbeknown to them the proprietress of the theater is plotting the same thing. Mr. Pitt gives a sometimes comical performance, which does work well in the context of the film: remember this is not your fathers WWII picture. Listening to him try to speak Italian with a Forrest Gump accent is something you wouldn't want to miss. Austrian born Christoph Waltz portrays Colonel Hans Landa, an SS officer who shifts from good cop to bad cop in the blink of an eye, and he's truly one of the great Nazi villains of recent memory. The film has an exciting story and script, and Mr. Tarantino keeps the action moving throughout the whole two and a half hour running time. Not to be missed.
Rating - 3 1/2 Stars
District 9 is an "aliens in our midst" film that's really an allegory about race and refugees: with a little bit of David Cronenberg's The Fly added to the mix. The film takes place Johannesburg, South Africa, and yes that is quite an appropriate location for a film of this type. The aliens of this film have been living in district 9, a sort of reservation/ghetto, in slum-like conditions. They've been there since they mysteriously landed in Johannesburg some twenty years earlier. Officials of MNU, the corporation responsible for the aliens, are now attempting to move them to a new reservation further away from the city, and the aliens, or prawns as they're called by the humans are none too happy about it. Wikus is in charge of this operation, and when he's exposed to a mysterious black alien liquid, well all I can say is that he begins to have some body image issues. The film is quite original while at the same time borrowing aspects from some old Twilight Zone episodes, and the film Alien Nation. The special effects, and there are many, are seamless, and the fact that unknown (at least to U.S. audiences) actors are used makes the story itself the prime focus. The film is done part documentary style and part straight narrative and the whole package comes together quite well. This film works on every level, and allegory aside: it's just an excellent piece of sci-fi.
Rating - 3 1/2 Stars
The Ugly Truth requires a major suspension of disbelief in order to fully enjoy it: that being that Katherine Heigl needs help in landing the man of her dreams. Ms. Heigl stars as Abby, a morning show producer in Sacramento that is suffering in the ratings. The show hires Mike, played by Gerard Butler as a "shoot from the hip" dispenser of relationship advice, in order to pump up the ratings. Abby is immediately turned off by his crude misogynistic behavior, but of course we know by his relationship with his nephew that he's really a great and caring guy underneath it all. On a bet Abby enlists Mike to help her land her dreamy Doctor neighbor, and Mike convinces her that she's got to make some changes to do so. This is where the suspension of disbelief goes into high gear, for as we all know, Ms. Heigl will basically "work" for any guy just the way she is. Now unless this is the first movie you've ever seen you pretty much will know where this film is going to go. Along the way there's plenty of funny stuff, especially when Mike is dispensing his advice: the guys will laugh especially hard. Ms. Heigl also continues to display her flair for comedy, and one scene reminiscent of the famous "I'll have what she's having" scene in When Harry Met Sally should amuse all. A light piece of entertaining fluff.
Rating - 3 Stars
Amy Adams and Meryl Streep star as the two title characters in this twin biographical piece, which tries to juxtapose the story of Julia Child's early rise along with the modern day tale of super-fan Julie Powell. Meryl Streep gives her usual bravura performance, as we learn about Julia's early days in France as a diplomat's wife, her adventures as a student at the Le Cordon Bleu: leading up of course to the publication of her highly influential tome, Mastering the Art of French Cooking. Meanwhile, Julie Powell takes on the daunting task of preparing all 524 recipes in Ms. Child's book within one year while posting a Blog detailing her adventures in doing so. This was a good film that could have been great, if only the powers that be had decided that Julia's story was enough to carry the whole film. Of course demographics play a huge role in getting films made so obviously the "studio suits" felt that Julia without Julie was as marketable as Garfunkel without Simon. Not that Ms. Adams didn't do a fine job in the role; it's just that frankly, her story of a bored government employee who cooks and blogs didn't have quite the personality of Ms. Child's. Although I enjoyed the film, I was always waiting for the story to shift back to Julia whenever the focus was on Julie.
Rating - 3 Stars
It's exceedingly rare when a movie highlighting the lost profession of body-snatching appears, and this film will do nothing to advance the cause. The problem is that it tries to be both comedy and creep-fest at the same time: failing at both. What's the problem? Mainly the script, although the acting and effects are serviceable at best. It picks up a little midway when the "undead" start to pop up from the coffins turning the film into a sort of grave robbing zombie movie. Thankfully this film is in very limited release and more than likely will never appear at your local multiplex. It stars Dominic Monaghan from the Lord of the Rings trilogy and Ron Perlman from Hellboy, and frankly, they must have owed someone a favor: which has certainly been paid back.
Rating - 1 1/2 Stars
There are people out there who'll be put off by this film because they'll assume that it's just another goofy Adam Sandler vehicle; unfortunately what they'll be missing is an excellent piece of cinema. The film, although directed by Judd Apatow is not in the same realm as The 40 Year Old Virgin or Knocked Up. Don't get me wrong, it's plenty funny, with both the numerous stand-up routines sprinkled throughout, and the abundant situational humor: but with a serious vein running throughout. Mr. Sandler plays George Simmons, a famous and successful comic actor who is loosely based on himself. Seth Rogen plays Ira, a struggling stand-up as George obviously once was, and who is hired by him to write jokes and serve as his assistant. When George finds out early on that he's very sick, he's encouraged by Ira to reconnect with friends and family: including his once true love Laura, played by Leslie Mann. The film melds its serious and comedic elements seamlessly together, and in many scenes you'll both laugh, hate, and feel sorry for the same character at the same time. Mr. Sandler gives what seems to be an effortless outstanding performance: no doubt helped by the fine script and direction as provided by Mr. Apatow. I never thought I would ever think, let alone mention OSCAR and Adam Sandler film in the same breath but I do believe that Funny People is best picture material. Don't miss it.Rating 4 Stars
Virtually all relationships have their difficulties so you can just imagine, as the film Adam tries to do, what would happen if one of the parties had Asperger's syndrome. Hugh Dancy plays Adam, and as a result of his affliction misses all the subtleties of life, almost like a young child. Rose Byrne, from TV's Damages, plays his neighbor Beth, an elementary school teacher who is attracted to Adam, as Adam is to her. In many ways Adam is like one of Beth's innocent students, except for the fact that he's a virtual genius in the field of physics and has an almost obsessive interest in space and the stars. Peter Gallagher and Amy Irving plays Beth's parents affluent parents, and dad is none too happy about the relationship; he feels she'll be more of a mother to him than a partner. Although numerous films have been made concerning people with mental disabilities I really can't think of any involving a so-called normal person involved in a romantic relationship with one. Although I'm no expert on Asperger's, the film seems to handle the subject matter with a high degree of honesty; of course there are some typical "Hollywood" touches to the story, and if there weren't it would be called "real life" and not a film. The film isn't perfect, but has some good performances, and sheds some light on a world most "normal" people never get to see.
Rating - 3 (Light)
This film tells the story of Gertrude Berg, the creator, star, and principal writer of the seminal TV sitcom, The Goldbergs. The show,which chronicled the everyday trials, mishaps and goings on of a Jewish family from The Bronx, was first on radio for seventeen years, and then moved to TV for another six. Mrs. Berg is credited with being the originator of the TV sitcom, and much of what she did on her show years ago is still being done on modern sitcoms many years later. Unlike sitcom pioneers Lucille Ball and Jackie Gleason though, Ms. Berg has largely been forgotten. Since The Goldbergs was preserved via kinescope, as opposed to the more modern methods employed by Ms. Ball's and Mr. Gleason's two classic shows, the film quality just doesn't hold up for modern syndication standards. If not for this she might have been as well known today as those two early sitcom stars, something that should have been expanded on in the film. The documentary mixes archival footage with interviews, including Ruth Bader Ginsburg, Ed Asner, Norman Lear, some surviving cast members, and others. Almost all are admirers of the show, although Mr. Asner mentions that the show did nothing to advance him in his goal of assimilation, and it seems obvious from his exchange that he's not an admirer. The blacklist of the 1950's is given prominent play in the story, and its effect on the show was severe. The story of Ms Berg and her show is quite fascinating, and this film goes along way towards educating its audience about this largely forgotten star. It does so while making us laugh, and maybe shed a tear.......... which is exactly the way Ms. Berg would have wanted it.Rating - 3 1/2 Stars
In this latest installment of the Harry Potter series, Harry, along with Ron and Hermione, find themselves being drawn inexorably closer to the inevitable battle with Voldemort. We are also shown new sides of familiar characters, such as Professor Snape (Alan Rickman), and Draco Malfoy (Tom Felton). The film also introduces us to a new teacher at Hogwarts, Professor Slughorn, played by the very capable Jim Broadbent. Years before he had been a teacher there, and had as one of his students the pre-Voldemort Tom Riddle; as you can well imagine, this relationship plays an integral part in the story. This film is an excellent addition to the series and I am now anticipating the concluding two films more than I had before. It is rare for an ongoing series to keep up such a high level of quality, but of course, considering the source material maybe it's not so surprising. The film has action, suspense and surprises, and the director, David Yates, mixes all of the elements together like a well made magic potion. Also, as the three principals are no longer little kids, some teenage romance has been introduced into the mix. Nothing too steamy though, it is only rated PG and safe for kids, and great fun for all.
Rating - 3 1/2 Stars
Cheri takes place in the late 19th century in France, when courtesans were able to maintain semi-respectable status; not to mention achieve considerable wealth if they were smart. Michelle Pfeiffer plays one such high end rent girl named Lea, and she has used her considerable skills and beauty to achieve quite a comfortable lifestyle. Kathy Bates is Madame Peloux, and although not nearly as beautiful as Lea, has managed to use these same skills to live a life of leisure and luxury. She has a son, the Cheri of the title, who's young and spoiled, and living a life of excess; something that mom would like to put a stop to. Her solution is to reacquaint him with Lea, who he has known since childhood, and who incidentally gave him his nickname of the title. We should all be so lucky. Cheri, played by Rupert Friend, late of The Boy in the Striped Pyjamas, is perfectly cast as the young pleasure-seeker, as is Ms. Pfeiffer in her role. Their semi-incestuous liaison stretches out a lot longer than anyone expected, and ends up having a deep effect on both of their lives. Although I basically enjoyed the film, and all of the performances, I also felt felt that it could have moved along at a quicker pace. If you enjoy attention to period detail, including costumes and decor and the like, then you could probably add a half a star. Also, not that I like employing sexist cliches, but, most would probably consider this a "women's" picture, and I'm sure that wives and girlfriends will enjoy it more than their guys.
Rating - 2 1/2 Stars
Very early on this film lets you know that it's not a love story; while at the same time it is about love, and what it may or may not be. Tom (Joseph Gordon Levitt) and Summer (Zooey Deschanel) meet at the greeting card company where they both work, and Tom is soon convinced that Summer is the "one". Summer is basically the guy in this relationship, not looking for, or willing to make any kind of commitment. Tom is the romantic who desperately wants Summer as his girlfriend, not that he isn't enjoying some of the perks that pertain to that status already. The story of their relationship is told in a non-linear style, as the good days are interspersed with the bad; leading to it's inevitable conclusion. The film contains many of the elements of the genre, including the good friends who are always giving advice, and a wise beyond her years younger sister, who counsels Tom during time-outs in her soccer game. It all works due to a good script and performances, and makes for a very entertaining nontraditional rom-dram.
Rating - 3 Stars (Solid)
In Bruno, Sasha Baron Cohen exploits stereotypes and examines the nature of celebrity; at the same time making us laugh, hysterically so. The film doesn't have quite the same shock value as Borat because this time we know the formula, but that doesn't change the fact that this is quite a funny film. After losing his Austrian talk show (it'll remind you of the old SNL skit Sprockets), Bruno decides to come to America to become a star. If you know anything about the character then you know that he's flamboyantly gay, and he uses this persona to shock and anger some seemingly innocent "victims". Like Borat, the film contains many vignettes where Bruno does his best to elicit reactions from various people, including Congressman Ron Paul, Paula Abdul, a martial arts instructor, and some "good Ol' boys" on a camp out. There are others, but you get the idea. Some people are obviously in on the joke, but most are not, and you'll likely know which is which. On the camping trip, he was pushing it to the point where I thought that one of the guys might get physical with him, and I'm not talking about the fun type of physical. This is the type of film where you hope that the people watching, "get" the joke. He goes about it in such an exaggerated way that you would think anyone would, but of course, that's no guarantee; at the very least you'll experience some guilty laughs, but you will laugh throughout the ninety minute running time.
Rating - 3 1/2
Unlike most modern criminals who do their best to avoid the camera when arrested, John Dillinger was a man who reveled in his criminal celebrity. If he committed his crimes in our own era, the cable news stations would likely devote countless hours to his exploits, and Dillinger himself would be its number one fan. Public Enemies tries to capture the essence of the man, and succeeds to a degree. The film depicts him as both charming and brutal, and if he was ever viewed as a kind of "folk hero", then it's likely that the "folk" were unaware of exactly how brutal he really was. His bank robberies always began with bursts of extreme violence, and I guess he knew what he was doing because it certainly did the trick in cowing the bank employees. Johnny Depp plays Dillinger with all the skill that we've come to expect from this extremely talented actor. Chistian Bale plays Melvin Purvis, who relentlessly pursues Dillinger, along with some other infamous criminals of the era. Although enjoyable, the film at times seems nothing more that a collection of violent set pieces, between which Dillinger is portrayed as nothing more than a charming rogue. He uses this charm to win over his girlfriend (OSCAR winner Marion Cotillard), and her love and devotion to him does her no good. Billy Crudup plays a young J. Edgar Hoover, and in this small role he almost steals the film. In one scene you see him testifying before Congress trying to cajole more money for his pre-FBI federal investigatory force. The film could have used more of this. Considering the actors, subject matter, and director (Michael Mann), this was a film that I expected to love, and am disappointed that I only liked it. Rating 3 (Light)
Whatever Works is the latest from Woody Allen, and this time it's Larry David playing the "Woodman's" alter ego. Actually who better to take on this role since both these guys would likely finish in a tie for first place in a "who's more neurotic" contest. Mr. David plays Boris, a brilliant physicist, who somehow attracts a beautiful and quite dimwitted young homeless girl who has run away from her home in Mississippi to New York. Of course, the young "hottie" drawn to the aging and pessimistic older man seems to be the constant in Mr. Allen's films, and this one doesn't pull any surprises on that front. Evan Rachel Wood plays the young girl, with a mixture of wide-eyed innocence and knowing sexuality, and she's gradually able to take some of edge off of Boris, although not too much. Patricia Clarkson and Ed Begley Jr. are excellent as the separated parents of the young runaway, and it's quite hysterical to observe the changes they go through after arriving in New York in search of their daughter. This film is by no means classic Woody Allen, but is actually quite funny throughout. If you enjoy Mr. David's work on Curb Your Enthusiasm, then you should definitely feel the same about this film.
Rating 3 (Solid)
Up is another successful collaboration between Pixar studios and Disney. They have produced an animated film that has appeal to kids and adults, something that is not always easy to do. Up will appeal to any adult who has had dreams, and has fulfilled them, or not. There is also adventure and talking dogs, which should keep the kids interested. Ed Asner voices Carl, who, along with his wife, dreams of visiting Paradise Falls in South America. If they had their way they would have lived the life of adventure seekers, but of course like most such dreams, life got in the way. Fast forward many years and Carl, now a widower, is about to be evicted from his home due to an altercation with a construction company. It's at this point that Carl decides to fulfill his dream; he attaches helium balloons to his house, destination, Paradise Falls. Unknown to him though, a young boy, a Wilderness Explorer has stowed away, and he is determined to give Carl all the assistance he needs or doesn't need, in order to earn his final merit badge. This film has only positives going for it, an interesting story for kids and adults, great characters, human and not, and a great and poignant beginning, which really sucks you in. In addition to Mr. Asner, Christopher Plummer and John Ratzenberger also provide their voices, and they all add to the enjoyment. I have to say that I'm not always the greatest fan of these types of films as they often are just "too cute" for me. As far as I'm concerned, this one got it just right.
Rating - 3 1/2 Stars
The summer film season is usually the time for explosions, shoot-outs and car chases; not that there's anything wrong with a tearjerker to break things up. Well, there are plenty of tears in this film, and in this era of in vitro fertilization and stem cell debates, an important, but little discussed issue is also brought front and center. The debate that centers the film is, is it morally correct to engineer a child to be a perfect match for organic donor material for an older child with a serious illness. Sofia Vassilieva plays the older daughter Kate, and she has had leukemia from a very young age, and will soon die if she doesn't get a donor kidney from her perfect match sister Anna, played by Abigail Breslin. Anna decides that she's tired of the needles and procedures, and is also concerned that she might one day need her extra kidney. She then retains a well publicized attorney, an excellent Alec Baldwin, to sue her parents for medical emancipation. Although the story is manipulative, and in case you're wondering, virtually all movies are on a certain level; it is also entertaining and engrossing. The story is told in the present day, and via flashback, and the two modes mesh well. Cameron Diaz plays the attorney mom who will do anything to save her older daughter, including pleading her own case before the judge, played by Joan Cusack. Ms. Diaz does a fine job in this de-glammed role. This film will likely make you think a bit while providing a welcome respite from the usual summer mayhem.
Rating - 3 Stars
If you've seen the first Transformer's film, then you know exactly what to expect this go-round. Lots of explosions, giant Transformers bashing each others heads in, more explosions, and with just enough dialogue to keep the action going. Although the film does have its faults, it's entertaining enough if you want to put your brain on idle for two and a half hours. Actually, that's a big part of the problem, as this film could have used some serious editing. The final battle scene goes on way too long to the point of no explanation. The plot itself is pretty basic: The Decepticons (bad Transformers) are back, and in addition to wanting Optimus Prime (good Transformer) dead, are looking for Sam (Shia LaBeouf). It seems that Sam has become the receptacle for the knowledge contained in the all powerful AllSpark, and if this knowledge falls into the Decepticon's hands, well, let's just say that it would be bad. In addition to the explosions there are the requisite number of chase scenes, and Megan Fox, who plays the role of the "Babe". John Turturro shows up later in the film, and he's the best thing in it. He plays the former Agent Simmons, and his serio-comic heroic persona really lights up the film just when it's needed. This is a film that you'll likely forget just as soon as the credits start rolling, but shouldn't get in the way of enjoying it.
Rating - 3 Stars(Light)
Just about the only thing scarier than being in Iraq, is being the guy in Iraq whose job it is to defuse Improvised Explosive Devices. This film follows the final forty days of a tour of duty of three such men. The film takes place pre-surge, when things were ostensibly a lot worse than they are now, and there were a lot more IEDs to worry about. The team is led by Sgt. James, played by Jeremy Renner, and he's the gung-ho guy of the group; he actually seems to love his job. Sgt. Sanborn, played by Anthony Mackie is the level-headed team member who's afraid that Sgt. James' "cowboy" heroics will get them all killed. Rounding out the team is Specialist Eldridge, played by Brian Geraghty, and he's scared, and convinced that he won't live to finish his forty days. Sgt. James is the team member who actually disassembles the IEDs, and the other two team members watch over him with rifles ready to pick off any sniper who tries to prevent him from finishing his task. As Sgt. James goes about it, you realize that it's the bystanders in the apartments overlooking the bomb site who are at least as dangerous as the bomb itself. Anyone of these people armed only with a cell phone can cause the death of all involved. This film did an excellent job of putting the viewer in the middle of the action, and conveying what it might be like to fight in the war in Iraq. The fear, oppressive heat, and never-ending tension are a constant throughout. I felt this same tension just watching the film, and of course my life was never on the line. The actors all do a fine job, although Mr. Renner is a real stand-out. One thing I would have liked to see though is a little explanation as to what made these guys volunteer for this type of duty. I would think that just being in combat in Iraq would be enough of an adrenaline rush for anyone. I know that just watching it did it for me.
Rating - 3 Stars
Maya Rudolf, from SNL, and John Krasinski, of The Office, star as Verona and Burt, a live-in couple who are about to have a baby. Burt realizes that Verona is pregnant before she does, and let's just say he determines this in a way quite different from any drugstore test. When Burt's close by parents announce they'll be moving to Belgium, the kids figure they can now live anywhere since they've lost the potential babysitters anyway. Time for a road trip to pick the perfect town for them and their upcoming baby. The rest of the film is basically just a series of vignettes, as the traveling couple decide to spend time with family and friends scattered across the USA and Canada, as they try to determine who they want to live near. Actually after meeting these family and friends I wouldn't be surprised if they decided to leave the North American continent altogether. Some are out and out hysterical, such as Allison Janney, and in her small role is really quite a highlight. Some are just sad, like their friends in Canada who adopt kids faster than you can say Mia Farrow, but can't seem to make one of their own. Maggie Gyllenhaal is as annoying as she is funny as a new "agey" mom who won't use a stroller because she doesn't want to push her son "away" from her. Regardless of their attributes or faults, you wouldn't want to be too close to any of them. The two leads are both earnest and likable, and it's obvious that their commitment to each other is real. The film was directed by Sam Mendes, and he makes the best out of situations that are more than somewhat contrived. The film was enjoyable though up to a point, and since much of the story is told vignette style you may love some parts greater that the story as a whole.
Rating - 2 1/2
For someone who basically knows Richard Attenborough from his roles in Jurassic Park and The Great Escape, this film was quite a surprise; and a very pleasant one at that. Here he plays Pinkie Brown, a small time sociopathic gangster situated in the seaside resort of Brighton England. The action takes place between the two world wars, and the Brighton of this period is described as a seedy, crime ridden town. Early on, Pinkie kills someone who has wronged him, making it look like suicide. Unfortunately for him, a local entertainer, played by Hermione Baddeley, suspects it's murder and begins acting as an amateur detective in order to piece everything together. In trying to cover his tracks, Pinkie meets Rose, a local waitress, and for some reason she falls hard for him. She's a potential witness against him and he needs to keep her under his control. This film can definitely hold its own with the best of the film noir genre. It's a gripping portrait of an amoral killer who basically treats everyone like dirt, including his own gang. He controls his crew via fear; Rose, through some sort of charismatic power that he seems to have over her, and frankly is one of most, if not the most unlikeable villain I've ever seen in a film of this type. He does share something in common with Rose though, a belief in the Catholic faith and eternal damnation. I guess he doesn't believe in it hard enough. Brighton Rock should keep any interested film goer riveted to the screen, and the film is not all violence and terror as there is some poignancy as well, one scene particularly so. This film is currently playing in a very limited run, and it's unlikely that most people will be able to see it on the big screen. If you subscribe to NetFlix, you may be able to find it there. In any event, a remake is planned for release in 2010 and I only hope that they do justice to the original.Rating - 3 1/2 Stars
Easy Virtue, based on the Noel Coward play of the same name, is the story of love amidst clashing cultures. John Whittaker, played by English actor Ben Barnes, is the only son of a landed, and seemingly aristocratic English family. While traveling abroad he meets Larita, played by Jessica Biel, a brassy American "bottle blond" who races cars for a living. When he brings her back home as his wife to meet the family, the reaction is initially very chilly, and it only goes downhill from there. Mom, played perfectly by Kristen Scott Thomas is the least receptive of the bunch, and she resents the fact that Larita wants to take her son away to live in London, as opposed to them staying on the family estate. Dad, played by Colin Firth is frankly, too depressed and detached to care one way or the other, as he is still nursing some severe psychological wounds left over from World War I. This film was quite entertaining and it tells a serious story with just the right amount of humor. Ms. Biel is perfect as as the independent and plain speaking American, and she holds her own as the war of wills with the very proper Ms. Thomas heats up, and secrets are revealed. This film was very engaging from the start, and very easy to like.
Rating - 3 (Solid)
As just about anyone with any interest knows, this film is a re-make, or, more accurately a re-imagining of the original film of the same name made in 1974. I'm not going to waste any time making comparisons, or ruminating on the issue of which film is superior, or whether or not this film "needed" to be made. I believe that any film, whether based on a book, TV show, or previous film should stand on its own, and I'm very happy to report that this one does. For anyone not familiar with the story, here's a brief summary: A New York City subway car with hostages has been commandeered, and the bad guys are asking for a large ransom, which if they don't receive in an hour, will cause the death of the hostages on board. That's pretty much it, and for almost two hours it's enough to keep your undivided attention. John Travolta plays the chief bad guy, he calls himself Ryder, get it, and he plays his role with just the right amount of the sociopath. Denzel Washington plays the train dispatcher who just happens to take Ryder's call from the subway and ends up with unenviable task of trying to prevent him from killing his hostages. In the process he becomes part confessor, part analyst, and Ryder even considers him as a sort of friend. As an everyman thrust into an extraordinary situation he's simply perfect. The tension keeps building as the two leads play their psychological games leading to the climax. James Gandolfini plays the Mayor, and he looks like a Rudy Giuliani who's spent too much time at the Viennese table. He adds a little comic relief, and in his smallish role is quite good. This is an excellent "popcorn" movie, and I mean this in the most positive way. Exciting, fun, and OK, not the most realistic film you'll see, but then again, if you want realism, well, I guess you could always take the subway during the morning rush.
Rating - 3 1/2 Stars
My Life in Ruins stars Nia Vardalos as Georgia, of My Big Fat Greek Wedding fame, as a Greek-American living in Greece, who reluctantly has to take a job as a tour guide after being let go from her teaching position. She's unhappy in her new job, and love life, and is the second most popular tour guide in a company that only seems to employ two of them. She's assigned a group of tourists on a multi-day bus tour populated with a bunch of exaggerated stereotypical characters. Included in this group are the gibberish speaking Australians, thick as brick Americans, hot divorcees, and the wisecracking, and wise, older gentleman, in this case played by Richard Dreyfuss. The film has some laughs here and there, but is not anywhere up to the level of Ms. Vardalos signature film. There are also no surprises here and it's obvious pretty quickly on that Georgia will get what she's looking for in the end. Mr. Dreyfuss does fine in a part he could probably do in his sleep, and Rachel Dratch of SNL fame also adds some comedic spark as well. In the end though, the film plays like a TV movie from years ago. Ms. Vardalos has a genuine screen presence but she just needed a better script than this. Time for her to try something with a little more of an edge as she definitely has the talent to play other types of roles.
Rating - 1 1/2 Stars
The premise for The Hangover is simple enough, an impending groom, two close friends, and an impending brother-in-law head for Vegas for a final "blow-out" before the wedding. The Vegas bachelor party has become as American as apple pie so what better way to celebrate before the big day? Well, just about any other way would have worked out better for these guys. Bradley Cooper plays Phil, the de facto leader of the crew, while Justin Bartha plays Doug, the soon to be groom. We don't see too much of Doug because in the midst of the gang's alcohol induced haze he's either been lost, kidnapped or misplaced. The guys spend most of the film trying to figure out what happened to him, and them, since their hangover has not only produced the usual ailments, but amnesia as well. Ed Helms and Zach Galifianakis round out the crew playing the "whipped" friend of the groom and "very special" future brother-in-law, respectively. These guys all play their well worn roles for maximum comic effect and the film works quite well as a mindless, and very funny comedy. There's a number of quite hysterical set-pieces involving Mike Tyson, a tiger, and couple of really annoyed cops, one being the very funny, and intense Rob Riggle. If you've seen the trailers you also know that Ed Helms spends most of film missing a tooth. Just learning how this happened is practically worth the price of admission. Sit back and enjoy, and go easy on the Jagermeister.
Rating - 3 (solid)
In Summer Hours, three adult children are left with the task of disposing of their deceased mother's home and possessions, which include many works of art that have great monetary, and sentimental value. Mom was the niece of a very famous French artist who she loved very dearly, and possibly romantically, although most of her collected works are by other artists. The home itself is also the repository of many happy memories, although the kids of late only got together rarely there since two of the three are living overseas. This is one of those films that has good intentions but just moves too slowly to suck you in. There is some conflict between the the three as the one living locally wants to hold onto the house and artwork for the next generation, although this makes no practical financial sense. Despite the conflict, the film has no real drama or tension, maybe because everyone is so polite and considerate, great traits to have in real life, but maybe not so great in reel life. Towards the end, a daughter of the one of the sons gets arrested for drug possession. It kind of comes from left field and really does nothing to advance the story. I'm not sure if it's the fault of bad editing, or just an attempt by the screenwriter to throw some drama into the mix. Although the film does get a little more involving as it moves along, not to the point where you're anywhere near to being engrossed. Spend your summer somewhere else.
Rating - 2 Stars
We're now living in a world economy that was severely damaged by institutions that in their greed, gave out loans to people who just weren't qualified. In Drag Me to Hell, Christine Brown, played by Alison Lohman, gets in some serious trouble for refusing to give out such a loan to a pathetic old lady, and as a result the bank forecloses on the poor woman's home. Too bad that the person she refused is good friends with the devil. In Drag Me to Hell, Sam Raimi leaves Spiderman behind, at least until the next inevitable installment, and returns to his horror roots, and quite successfully at that. After Christine refuses the loan, she is first attacked and then cursed by the old lady. She then visits a fortune teller who tells her that she will be tormented for three days, and then be sent to hell as the result of the curse. Not one to take this lying down, she elicits the fortune teller's help in trying to remove the curse, and too bad for her pet cat I might add. The film was quite entertaining and works as both a genre film, and as something that could appeal to people who usually don't attend this type of thing, if they just gave it a chance. It's not just blood and guts, as this film contains a good story, has some great set pieces, and contains some humor to boot. In addition to Ms. Lohman, who gives a fine performance, Justin Long has the thankless role of the doubting, but well meaning boyfriend, and he does fine with it. Lorna Raver plays the wicked old lady, and she's as disgusting as she is scary. When she takes out her dripping teeth at Christine's desk I actually had to stop eating my Raisinettes, for a few seconds. In spite of the PG-13 rating the film packs in about as much gore as is necessary, although my one complaint is that it gets a little loud during some of the more dramatic parts. One scene actually hurt a little. No need to hit the audience over its head. If you're a fan of this genre you'll likely see it, and if not, well, don't wait for someone to drag you to the theater.Rating - 3 Stars
The Brothers Bloom, as played by Adrien Brody and Mark Ruffalo, are con men, and pretty successful at it. Mark Ruffalo plays Stephen, who conjures up the elaborate schemes, or plays as he calls them, with his brother as the main protagonist. Adrien Brody is Bloom, and yes, isn't this so cute that one brother is called by his first name and the other his last. The problem with the film is that it isn't sure what it wants to be, a cutesy comedy, or, an elaborate "con" film in the tradition of David Mamet. The "mark" is played by Rachel Weisz, a rich eccentric who is both in on the scheme, in addition to being its mark. She's a troubled and lonely "hobby" collector, and apparently born to be swindled. In my opinion the film is too cute for its own good, and as a result is only partly successful as either a comedy or drama. You never quite feel the tension of the situation as you would in some of the classic Mamet films, such as House of Games or The Spanish Prisoner, nor is there much laughter going on. The brothers employ a Japanese assistant called Bang Bang who never speaks. The gimmick wears thin as the film goes on. On the positive side, the performances are all excellent, and the film has a great beginning, where the brothers boyhood origins as con men are explored. There are also some good set pieces within the film that are enjoyable in spite of the fact that things don't quite work as a whole. Like real life brothers, there's good and bad.Rating - 2 Stars
This latest installment of the Terminator series is as bleak and joyless as the futuristic vision depicted in the film itself. In short, no heart, no soul, and most of all.....no fun. John Connor, in spite of all the efforts of the Terminator machines has managed to make it to adulthood, and to become a leader of the human resistance against the machines. Connor, as played by Christian Bale with his Batman growl is actually more machine-like than human, and a little humor and/or personality development would have helped. OK, he's had a pretty hard life up to this point what with being hunted by killing machines, his parents dying, never getting a chance to wash, but even Arnold, when playing a machine acted more human. Actually the problem with the film is that there are no real characters in the film, just people shooting, blowing stuff up, or barking orders. For a series with this pedigree, it's just not enough. Sam Worthington plays Marcus Wright, a part human, part machine Terminator prototype, and he's the best thing in a mediocre film, and pretty much the closest thing to a developed character. Arnold does show up late in the film, albeit in a computer generated form, and it was kind of a low level highlight. If you're smart you "won't be back" for this installment.
Rating - 2 Stars
Every Little Step works as a real life companion piece to both the original Broadway production of A Chorus Line, and it's recent revival. As we learn in this documentary, the show itself was based on the real life stories of Broadway performers, some of whom actually appeared in the original Broadway production. This film follows the casting process for the recent Broadway revival, and like the Broadway productions contains much pain, drama, and joy. The film takes us from the beginning of the casting process until the final cuts are made months later, and I personally found myself rooting for my favorites to make it to the final cast. The film also contains both archival audio and video footage of original Director/Choreographer Michael Bennett, as well as recent interview footage with Donna McKechnie, star of the original production. The footage with Mr. Bennett was extremely illuminating as to the genesis of the show, and, poignant, considering his untimely death. I must admit that I never saw either the original or revived show, and this fact didn't prevent me from enjoying the documentary immensely. If you saw, and especially if you loved the show, you will certainly appreciate seeing these aspiring Broadway stars as they strive to see their names in lights. As a documentary it is, one singular sensation.
Rating - 3 1/2 Stars
Watching Tom Hanks' character of Robert Langdon in Angels & Demons is almost like watching Jack Bauer in action, minus the threats and torture of course. He's called into action because the Vatican, as well as much of the surrounding area itself is under imminent threat of being destroyed by a powerful explosive device, and he has less than 24 hours to figure it out. In addition to that, the bad guys have threatened to brand and kill four preeminent Cardinals just before a new Pope is to be elected. These four also just happen to be the top candidates to become the new Pope. Before Professor Langdon even arrives in the Vatican he has a pretty good idea who's behind the threat, the Illuminati, now he just has to figure out where the bomb is before it goes off. Helping him do this, in addition to various law enforcement figures is Israeli actress Ayelet Zurer, who essentially plays the same role that Audrey Tautou played in The DaVinci Code. I found this film to be an entertaining thriller, and did feel the tension of the situation for most of the film. There is one significant plot flaw, the mentioning of which would be giving too much away. It did take something away from the film, but as pure entertainment, the film still basically works. In addition to the two leads there are a number of quality performances in the film, from Stellan Skarsgard, Armin Mueller-Stahl and Ewan McGregor, which only add to the enjoyment. The film also manages to throw in some discussion of religion vs. science, although thankfully no one suggested teaching creationism as a "science". The film, as you would expect is very similar in structure to The DaVinci Code, and if you liked that, then you'll likely feel the same about this one.
Rating - 3 Stars
Michael Caine has been a major motion picture star for about 45 years, and after seeing his performance in Is Anybody There?, it's easy to see why. Mr.Caine plays Clarence, an old and regretful retired magician who is forced to spend his remaining time on earth in a small old age home. There, he meets Edward, the young son of the proprietors, who is extremely resentful that he must share his home with a bunch of old and decrepit seniors, not to mention the fact that he has to vacate his room for Clarence. The two start out disliking each other, but after Edward saves Clarence's life they bond. The fact that they both love magic and matters supernatural also helps, not to mention their mutual unhappiness over how life has been treating them. In addition to Mr. Caine's performance, Bill Milner, a young English actor also does an excellent job. The supporting players, including Rosemary Harris, also add much to the film with their small, sometimes funny, sometimes poignant subplots. Also, since the film takes place in the 80's you'll enjoy looking at some real funny haircuts. This is definitely a film to see for the performances, not to say that the film itself isn't enjoyable, although it did start a little slowly. If you stay with it you'll be both rewarded and uplifted.
Rating - 3 (Light)
The Star Trek series consists of eleven films of varying quality, and this one is up there with the best of them. The film is a prequel of sorts to the original TV show, as we learn how Kirk, Spock, Bones, and the rest of gang all met and bonded. Chris Pine plays the yet to be Captain Kirk with all the brashness that you would expect of the young Kirk, although unlike the TV show, when he fights, his shirt manages to stay on. Zachary Quinto is quite good as the young Spock and Leonard Nimoy should be proud that his creation is in such able hands. The Romulans are the designated bad guys in this film, and they are represented by Captain Nero, played by Eric Bana. The Captain blames the federation for a disaster that has befallen his home planet, and he is out for some payback. The plot also brings in time travel, which allows Leonard Nimoy to make an extended cameo, while his younger self is still coming to grips with his emotions. The plot while important, isn't necessarily the main draw of the film, as it's the chance to see old friends in a different perspective, while adding to the legend that many of us love. There's a lot of fun in the film along with the action, and the scriptwriters made sure that all of the main characters spouted a "signature" line at least once, and the audience responded with respectful applause to every one of them. You'll want to beam up for this one.
Rating - 3 1/2 Stars
Wolverine, as the stand-out character in the hugely popular X-Men series is certainly deserving of his own origins tale, and this one does him justice. In this film, in addition to Wolverine, played by Hugh Jackman of course, we also meet Victor Creed, Wolverine's brother, and possessed of similar powers. Both these guys have enough testosterone in them to keep the Yankees in sluggers for years, and while they fight wars together, they eventually part ways in anger. Their enmity towards each other forms one of the basic themes of the film, and it drives the narrative forward. The film does a good job in showing "who he is and how he came to be", as they used to say in the comic books of an earlier age. Origins tales are important when we're talking about our more popular super-heroes and villains, in that once we form an attachment, we want to know more about them. This film does just that, all the way back to mid 1800's. Victor Creed, played by Liev Schreiber makes an excellent counterpoint to Wolverine, and in actuality they are closer than Wolverine would like to admit. Danny Huston plays Colonel Stryker, and he plays his bad guy role with black hat firmly in place. If you enjoyed the X-Men films then I'm sure you'll enjoy this addition to the series. Rating - 3 (Solid)
Like many young men in the poverty stricken Dominican Republic, Miguel "Sugar" Santos dreams of using baseball as a pathway to fame, riches, and respect. He's playing for a local team affiliated with the Kansas City Knights, a fictional major league team, when he's invited to spring training, and a chance to fulfill his dream. He impresses the powers that be, enough, to be assigned to a single-A minor league team located in Bridgetown Iowa, and this town may well have been another planet for all the culture shock that this move entails. Unlike many parts of the USA, this town's first, second, and third language is English, and its only diversity on display is hair color. You sympathize with Sugar as he sinks deeper and deeper into isolation, and his portrayal by newcomer Algenis Perez Soto is both moving and effective. One scene in particular where he tries to order breakfast in his limited English is both comical and sad, and pretty much sums up his experience in this small rural town. This is an excellent film with some great performances. The baseball scenes are quite realistic, and the film movingly portrays the hope and longing that all minor league ballplayers must experience. Eventually Sugar realizes his ultimate motivation for playing the game, and like the film itself, it's a joy to behold.Rating - 3 1/2 Stars
I'm not sure if an underground fighting circuit actually does exist in New York, although I suspect it doesn't, but if it does I'm sure that no one who looks like Shawn MacArthur, as played by Channing Tatum is part of it. Shawn is a small town kid who barely gets by selling counterfeit Harry Potter books on the streets. Someone should have told him that the fake Cartier watches do much better in New York. When Harvey Boarden, played by Terrence Howard, spots him defending his wares from thieves, he decides that he has a future as a fighter. Harvey is a down on his luck street hustler, and he sees a white, good looking fighter like Shawn as a ticket to some big bucks. Although the film may seem improbable at times, it was entertaining. The fight scenes are nothing like the ones depicted in the Rocky movies, as anything goes, and they're exciting to watch. Mr. Howard is by far the main reason to see this film, as he skillfully imbues his role with just the right amount of pathos, kindness and menace. He adds a level of class to what is basically just a popcorn movie. Also, the film takes place, and is shot in New York City, and like all such films the city becomes a character itself. Basically, an enjoyable film with some good performances, and one really fine one.
Rating - 3 Stars (Light)
American Violet is the true story of racial injustice in Texas, and it's almost hard to believe that the story takes place in the very recent past and not in the pre-civil rights era south. Michael O'Keefe plays the local District Attorney, who authorizes commando-like drug raids, almost exclusively against African-Americans, and based on the flimsiest of evidence. He plays his role as if a more polite version of Bull Connor was inhabiting his body. Excellent newcomer Nicole Beharie plays Dee Roberts, a young unwed mother of four kids who's arrested as a result of one of these raids. Unlike virtually everyone else in her situation, she decides to fight back by not copping a plea. The ACLU also convinces her to front a lawsuit against the local DA in order to break the corrupt and racist system of arrests and prosecutions. The principle actors, including Alfre Woodard, Will Patton and Tim Blake Nelson all do a fine job. Malcolm Barrett, as another attorney on the ACLU team has a small but important role, and he really grabs your attention when he takes the stage. The film takes place from late 2000 into 2001 and it jumps numerous times to TV accounts of the 2000 presidential election and its controversial aftermath. They were obviously trying to do more than set the time-frame with this device and I thought it was a little heavy-handed. After a couple of these scenes I said to myself, "OK, I get it". In spite of this, I felt that the film told its story simply and well, and to employ an overused phrase, it's an important film. If you're paying attention you'll be be both angry, and entertained at the same time.Rating - 3 Stars (Solid)
